作业帮Caesars Palace
来源：学生作业帮 编辑：作业帮 分类：英语作业 时间：2024/04/29 12:01:16
Caesars Palace
求详细介绍.
求详细介绍.
1995年成军的Caesars以dirty-garage混合流行乐并游走诡化多变的迷幻摇滚见长.Cesar Vidal(vocals/guitars)、Joakim Ahlund (guitars/vocals)、David Lindqvist(bass) 和Nino Keller(drums)于98年就在自个儿家乡发迹.当年度发行的“Youth Is Wasted On The Young”就有可作为经典的代表曲,如思美洛 ICE的洗衣店版广告题曲‘Gonna Kick You Out’.而后的‘Cherry Kicks’和‘Love For The Street’还拿下金唱片销售记录并影响瑞典的garage乐团.但当时瑞典以外的乐迷还无缘认识这只新生军,直到2002年和Virgin唱片签约,随着巡回演唱才日渐打开知名度.
Rock may have been born in America,but a national obsession with the trendy has often begat cultural amnesia when it comes to musical roots.Hence offshore bands like the Vines and Hives recycle '90s grunge/punk and '80s new wave with newfound energy,sometimes finding themselves ironically hailed as rock saviors.Sweden's Caesars don't have salvation on their minds.In fact their '60s garage rock shtick seems doubly recycled,seven of the dozen songs here hailing from a previous 1998 incarnation.Which isn't to say they don't do spiritual forebears like the Swingin' Medallions and & the Mysterians proud.Powered by pumping Farfisa-clone organ,trashy guitars,and a suitably snotty vocal attitude,they careen amiably through a sharp cover of the Endd's "Out of My Hands" and originals that range from spunky ("Jerk It Out," "Sort It Out," "You're My Favorite") to spooky ("Suzy Creamcheese").If there's irony at work here (other than a contemporary Swedish band evoking the spirit of '60s American garage punk and '80s UK new wave,that is) the Caesar's have largely buried it in an avalanche of infectious spirit.--Jerry McCulley
Rock may have been born in America,but a national obsession with the trendy has often begat cultural amnesia when it comes to musical roots.Hence offshore bands like the Vines and Hives recycle '90s grunge/punk and '80s new wave with newfound energy,sometimes finding themselves ironically hailed as rock saviors.Sweden's Caesars don't have salvation on their minds.In fact their '60s garage rock shtick seems doubly recycled,seven of the dozen songs here hailing from a previous 1998 incarnation.Which isn't to say they don't do spiritual forebears like the Swingin' Medallions and & the Mysterians proud.Powered by pumping Farfisa-clone organ,trashy guitars,and a suitably snotty vocal attitude,they careen amiably through a sharp cover of the Endd's "Out of My Hands" and originals that range from spunky ("Jerk It Out," "Sort It Out," "You're My Favorite") to spooky ("Suzy Creamcheese").If there's irony at work here (other than a contemporary Swedish band evoking the spirit of '60s American garage punk and '80s UK new wave,that is) the Caesar's have largely buried it in an avalanche of infectious spirit.--Jerry McCulley