英语翻译Other stories may use different structures.For instance,

英语翻译
Other stories may use different structures.For instance,the protagonist is denied being accepted as a student of a martial arts sect.He experiences hardships and trains secretly and waits until there is an opportunity for him to show off his skills and surprise those who had initially looked down on him.Some stories feature a mature hero with powerful martial arts abilities confronting an equally powerful antagonist as his nemesis.The plot will gradually meander to a final dramatic showdown between the protagonist and his nemesis.These types of stories were prevalent during the era of anti-Qing revolutionaries.
Certain stories also have unique plots,such as those by Gu Long and Huang Yi.Gu Long's stories have an element of mystery and are written like detective stories.The protagonist,usually a formidable pugilist and intelligent problem-solver,embarks on a quest to solve a mystery such as a murder case.Huang Yi's stories are blended with science fiction.
Despite these genre blending elements Wuxia is primarily an historical genre of fiction.Notwithstanding this,Wuxia writers openly admit that they are unable to capture the entire history of a course of events,they choose to structure their stories along the pattern of the protagonist's progression from childhood to adulthood instead.The progression may be symbolic rather than literal,as observed in Louis Cha's The Smiling,Proud Wanderer,where the young Linghu Chong progresses from childish concerns and dalliances into much more adult ones as his unwavering loyalty repeatedly thrusts him into the rocks of betrayal at the hands of his inhuman master.
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其他的故事也许用了不同的架构.举个例子来说,以一个战争题材作品中的学生作为主人公.他经历了艰难困苦,默默地训练和等待,直到出现这样一个机会以让他显出自己的实力来震惊那些曾经看不起他的人.一些战争题材故事通常突出一个成熟的英雄形象,面对一个和他拥有同等力量的对手.小说的情节再曲折中逐步延伸,再剧本的最后主人公和他的对手一决雌雄.这种类型的小说在反清革命时代开始流行.
固定的故事内容往往也会产生独一无二的情节,就像古龙和黄易的作品那样.古龙的故事有一种神秘的成分,内容通常被写成类似侦探故事.故事的主人公通常是一个令人生畏的拳击手和一个足智多谋的万事通,从探求类似谋杀案的问题开始入手.黄易的故事则是与科学的想象混合再一起.从这种的结合想象成分的弊端来说,武侠小说的主旨应该是以史料为佐证的遐想类作品.尽管这样,武侠小说的作者们坦率的承认他们无法做到全部的事件都遵照历史原因,他们更倾向于通过从小到大的对于主人公进展的原型来独立构建故事架构.依靠进展对于那些缺乏想象力的方法可能是个更好的象征,就好像在Louis Cha的《笑傲江湖》中所写的那样,在创造它的名家手中年少的令狐冲从童年时代受到的影响到放荡度日的进入成年的进程,就像他不动摇的忠诚一样再三迫使他背负背叛的石头.