英语翻译经过富于表现力的两小节休止后,随着命运动机的出现进入发展部,音乐又回到了不安的音调,艰苦激烈的斗争又开始 了.这

英语翻译
经过富于表现力的两小节休止后,随着命运动机的出现进入发展部,音乐又回到了不安的音调,艰苦激烈的斗争又开始 了.这时的第一主题非常活跃,它无休止地反复,调性不断转换,力度不断加强,随后出现鲜明有力的号角般的第二主题.这两个主题用各种手法交替变化发展,如对比复调的手法、频繁的转调等等,增加了音乐的不稳定因素,使音乐更加丰富.最后,命运的动机又闯了进来,并以最强的音响不断重复,形成了发展部的戏剧性高潮,音乐直接进入再现部.再现部中,呈示部那种斗争的场面再度出现.在第一主题与连接部之间,双簧管奏出了一段缓慢的哀鸣音调,第一主题的 发展突然被打断.可是,激动不安的情绪又立即恢复,只是当第二主题出现时才稍为平静.然而,光明与黑暗的斗争并没 有结束,在庞大的尾声中越来越激烈.这时,音乐发展的气势锐不可挡,鲜明的力度对比,紧张的和声发展,形成全乐章
的最高潮.乐章结束时,第一主题动机那强烈的音响,进一步刻画了勇于挑战的英雄性格,显示了人民必定战胜黑暗势力 的坚强信心.
第二乐章：ba小调,稍快的行板,3/8拍子,双主题变奏曲式.这是一首优美的抒情诗,宏伟而又辉煌,同第一乐章形成了对比.它体现了人们的感情世界,战斗后的静思同对美好理想的憧憬互相交错,最后转化为坚定的决心.乐曲开始时,在低音提琴拨弦伴奏下,中提琴和大提琴奏出第一主题,它深沉、安祥、优美,蕴藏着深厚的力量和对美好 生活的向往.紧接着,单簧管和大管奏出了具有战斗号召性的第二主题.这个主题的音调与第一主题很接近,并与法国革命时期的歌曲有音调上的联系.这是进行曲风格的英雄主题,它起初抒情 而沉思,转入C大调由全乐队强奏后,成为一支雄伟的凯旋进行曲,充满着火热的朝气,鼓舞着人们永往直前.
以后音乐的发展是这两个主题交替出现的六次不同的变奏.这六次变奏,贝多芬运用不同的节奏音型,调性转换、乐器变 换等各种手法,表现出英雄在激烈斗争后的沉思和战胜黑暗的坚定信念,以及充满活力的激情.例如第一变奏以第一主题 连续的十六分音符把音乐变得起伏和激动不安.第二变奏以三十二分音符的连续出现,增强了动力性,表现出英雄战胜黑暗的坚定信念.最后一次变奏,像英雄的凯歌一般,具有豪迈的英雄气概和乐观情绪,这一乐章的尾声,对第一主题作了简单的展开,表现出从深思中获得力量,对未来的胜利充满信心.

After is rich in the expressive force two sections to stop,entered the development division along with the destiny motive appearance,music returned to the restless tonality,the difficult intense struggle opened �?20.By now first subject was extremely active,its relapse,adjusted the nature to transform unceasingly endlessly,dynamics strengthened unceasingly,afterwards appeared the bright powerful bugle second subject.These two subjects change the development in turn with each technique,like contrasts duplicate accent technique,frequent modulation and so on,increased the music unstable factors,causes music to be richer.Finally,the destiny motive rushed,and duplicated unceasingly by the strongest sound,forms development division's play sexual climax,music entered the reappearance department directly �?In 20 reappearances department,the presentation department that kind of struggle scene appears once again.In the first subject and between the connection department,the oboe played a section of slow wail tonality,first subject �?20 development is broken suddenly.But,the excited restless mood restores immediately,only is when the second subject appears only then slightly for tranquil.However,bright and the dark struggle had not ended,is more and more intense in the huge last act.By now,music development imposing manner sharp might not keep off,bright dynamics contrast,anxious and sound development,formed entire happy �?20 highest tides.