作业帮英语翻译In his historic May 1969 Artforum article “Computer Scul
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英语翻译
In his historic May 1969 Artforum article “Computer Sculpture:Six Levels of Cybernetics,” sculptor Robert Mallary analyzed the benefits of the computer as a tool for “high-speed visual thinking” in art-marking.His prophetic understanding grew out of research into the possibilities for kinetic sculpture and optics at the end of the sixties,although developments in computer science were still in their infancy and few artists were able to gain access to computer labs to experiment and innovate.He grouped computer functions into two major categories:as a mean of calculation (tools),and as an optimum creative interface between artist and machine (medium).In the first grouping,the computer performs calculating chores to specify articulation of color and form,sorting out visual data on receding planes of objects in space.It adds randomness to a structured idea to test variable solutions and new proposals where speed and precision lessen the need for tedious work,thus making possible a new level of mutual activities.
In his historic May 1969 Artforum article “Computer Sculpture:Six Levels of Cybernetics,” sculptor Robert Mallary analyzed the benefits of the computer as a tool for “high-speed visual thinking” in art-marking.His prophetic understanding grew out of research into the possibilities for kinetic sculpture and optics at the end of the sixties,although developments in computer science were still in their infancy and few artists were able to gain access to computer labs to experiment and innovate.He grouped computer functions into two major categories:as a mean of calculation (tools),and as an optimum creative interface between artist and machine (medium).In the first grouping,the computer performs calculating chores to specify articulation of color and form,sorting out visual data on receding planes of objects in space.It adds randomness to a structured idea to test variable solutions and new proposals where speed and precision lessen the need for tedious work,thus making possible a new level of mutual activities.
在他1969年的历史性的五月写的一篇艺术评论“计算机雕刻：关于控制的六个级别,”雕刻家罗伯特.马拉瑞分析了在艺术创作上把计算机作为"高速视觉思维"工具的益处.他这种预知性的理解来自于六十年代末的关于动态和光学雕刻的可能性的研究,虽然在那个时候计算机的发展还在初级阶段而且几乎没有艺术家有机会在计算机实验室进行实验和创新.他把机算机的功能分为两个主要的方面:一是作为一种计算工具,另一个是作为在艺术和机器之间的最佳创意界面.在第一类里,计算机计算繁琐的步骤来详细说明衔接的色彩和形式,筛选出空中逐渐模糊的飞行物的视觉数据.它增加了在针对乏味工作中精确度降低提出的各种各样的方法和提议中的条理思想的不可测性,因此创造了新的水平的互动的可能性.
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