英语翻译were also too frequently cited in an unreflective way,sh

英语翻译
were also too frequently cited in an unreflective way,she felt.To
return to the linguistic philosophy of the 1970s was a potentially tedious
turn.Wilson noted that an over-simplistic use of theory was rather like
nice music turned into a signature tune or Muzak in an elevator.
Eugenia Paulicelli discussed the interdisciplinary concentration in
Fashion Studies,which she established in 2008 and now co-directs at the
Conference Report 107
Craduate Center of the City University of New York (CUNY).CUNY
sits on the former site of Altman's department store and is near the
famous garment district of New York.To not engage with this milieu
would be,in Paulicelli's words,an oversight.She used the interesting
notion of "dignity"—that fashion studies had to acquire a certain dignity
as a practice in order to be recognized by the academy.She noted
the reshaping of boundaries of disciplines and recalled the fight to create
the intellectual worth of film studies some fifteen years ago.She
argued that fashion's relationship with history and theory continually
needed to be explored.History,in her view,cannot be separated from
narratives and collective memories.Fashion is a mechanism of cultural
struggle.Similarly,Louise Wallenberg discussed the establishment of
the new Centre for Fashion Studies at Stockholm University,funded
by a generous donation from the Erling Persson Family Foundation.
Housed within the department of Art History in a Humanities Faculty,
the Centre aims to be multidisciphnary and invites guest lecturers from
a wide range of disciplines.She pointed to challenges for the Centre
arising from the lack of any common methodology,with its students
entering from fields as different as ethnology and business studies.Although
demand for the undergraduate and Masters courses is stable,
the scale of the Centre with several staff and six PhDs also suggested
certain challenges for the future.
Simona Segre Reinach noted that fashion studies was flourishing in
Italian schools both public and private,but was frequently uncritical.
She discussed the fragmented state of fashion studies in the peninsula
and pointed to a large amount of important publishing in Italian on the

她的感觉也太经常提到一个草率的方法.至
回到70年代的语言哲学是一种潜在的乏味
转机.威尔逊指出,一个理论过于简单化的使用是有点像
好的音乐曲调变成了签字或在电梯Muzak.
尤金尼亚Paulicelli讨论了跨学科的浓度
时尚的研究,这是她成立于2008年和现在的合作在指导
会议报告第107
Craduate中心的纽约（纽约市立大学城市大学）.纽约市立大学
就坐在奥特曼的百货公司旧址附近的是
纽约著名的服装区.不从事与此环境
将在Paulicelli的话,一监督.她用了有趣的
观念的“尊严”,这种方式的研究已经取得一定的尊严
作为一种实践,才能认识到学院.她指出
整形的学科界限,并回顾了争取创造
一些15年前电影研究的智力价值.她
认为,时尚的历史关系和理论不断
需要探索.历史上,在她看来,不能分开
叙述与集体记忆.时尚是一种文化机制
斗争.同样,讨论了路易斯堡建立
研究新的时尚中心斯德哥尔摩大学,资助
由一名二苓佩尔松家庭基金会慷慨捐赠.
在艺术史部内的一个人文学院,
该中心的目标是成为multidisciphnary并邀请嘉宾讲师
广泛的学科.她指出,该中心的挑战
而从没有任何共同的方法,其学生
如进入从民族学和商业研究不同的领域.虽然
为本科和硕士课程的需求是稳定的,
该中心的几个工作人员和6名博士规模还建议
对未来的一些挑战.
西蒙娜塞格雷赖纳赫指出,在时尚的研究蓬勃
意大利公共和私人学校,但经常不加批判.
她讨论了在朝鲜半岛的分裂状态的方式研究
并指出在意大利一些重要的出版大量的