作业帮帮忙翻译下Throughout the history of the arts, the nature of creat
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Throughout the history of the arts, the nature of creativity has remained constant to artists. No matter what objects they select, artists are to bring forth new forces and forms that cause change-to find poetry where no one has ever seen or experienced it before.
Landscape(风景) is another unchanging element of art. It can be found from ancient times through the 17th-century Dutch painters to the 19th-century romanticists and impressionists. In the 1970s Alfred Leslie, one of the new American realists, continued this practice. Leslie sought out the same place where Thomas Cole, a romanticist, had produced paintings of the same scene a century and a half before. Unlike Cole who insists on a feeling of loneliness and the idea of finding peace in nature, Leslie paints what he actually sees. In his paintings, there is no particular change in emotion, and he includes ordinary things like the highway in the background. He also takes advantage of the latest developments of color photography(摄影术) to help both the eye and the memory when he improves his painting back in his workroom.
Besides, all art begs the age-old question: What is real? Each generation of artists has shown their understanding of reality in one form or another. The impressionists saw reality in brief emotional effects, the realists in everyday subjects and in forest scenes, and the Cro-Magnon cave people in their naturalistic drawings of the animals in the ancient forests. To sum up, understanding reality is a necessary struggle for artists of all periods.
Over thousands of years the function of the arts has remained relatively constant. Past or present, Eastern or Western, the arts are a basic part of our immediate experience. Many and different are the faces of art, and together they express the basic need and hope of human beings.
Throughout the history of the arts, the nature of creativity has remained constant to artists. No matter what objects they select, artists are to bring forth new forces and forms that cause change-to find poetry where no one has ever seen or experienced it before.
Landscape(风景) is another unchanging element of art. It can be found from ancient times through the 17th-century Dutch painters to the 19th-century romanticists and impressionists. In the 1970s Alfred Leslie, one of the new American realists, continued this practice. Leslie sought out the same place where Thomas Cole, a romanticist, had produced paintings of the same scene a century and a half before. Unlike Cole who insists on a feeling of loneliness and the idea of finding peace in nature, Leslie paints what he actually sees. In his paintings, there is no particular change in emotion, and he includes ordinary things like the highway in the background. He also takes advantage of the latest developments of color photography(摄影术) to help both the eye and the memory when he improves his painting back in his workroom.
Besides, all art begs the age-old question: What is real? Each generation of artists has shown their understanding of reality in one form or another. The impressionists saw reality in brief emotional effects, the realists in everyday subjects and in forest scenes, and the Cro-Magnon cave people in their naturalistic drawings of the animals in the ancient forests. To sum up, understanding reality is a necessary struggle for artists of all periods.
Over thousands of years the function of the arts has remained relatively constant. Past or present, Eastern or Western, the arts are a basic part of our immediate experience. Many and different are the faces of art, and together they express the basic need and hope of human beings.
在艺术的历史各处,创造力的性质已经保持持续到艺术家.无论什么反对他们选择 , 艺术家是带来因素改变的往前新的军队和表格 - 找没有人以前曾经已经见到或经历它的地方.
风景是另外的不变更艺术的元素.资讯科技能在从经过第 17 世纪的 Dutchpainters 的远古时代到第 19 世纪的浪漫主义者和印象主义者被发现.在 1970 年代艾佛烈莱斯利中 , 相同的地方之一汤姆斯科尔,一个浪漫主义者 , 莱斯利以前寻找相同的现场世纪和一半.不像坚持寂寞的感觉和发现自然的和平主意的科尔,莱斯利油漆他实际上见到的.在他的画中 , 没有在情绪方面的特别改变 ,而且他像背景的公路一样包括平常的事物.他也利用彩色摄影的最新发展帮助两者的眼睛和 hte 记忆当他在他的工作室中把他的画改善回来的时候.
此外 , 所有的艺术十亿年龄 - 旧的问题 : 什么是真正的 ?每世代艺术家已经以一形式显示他们的真实理解或另外的.印象主义者见到简短的情绪效果的真实 , 每天的主题和森林现场 , 和 Gro 的现实主义者 - 磁量子洞远古的森林他们的动物自然图画的人.总结 ,了解真实是所有期数的艺术家的 neccessary 竞争.
在数千年以来艺术的功能已经保持相对地持续.过去或礼物,西方人的东方人 ,艺术是我们的立即经验的一个基本部份.许多和不同的是艺术的面貌 , 而且一起他们表达基本的需要和人类的希望
风景是另外的不变更艺术的元素.资讯科技能在从经过第 17 世纪的 Dutchpainters 的远古时代到第 19 世纪的浪漫主义者和印象主义者被发现.在 1970 年代艾佛烈莱斯利中 , 相同的地方之一汤姆斯科尔,一个浪漫主义者 , 莱斯利以前寻找相同的现场世纪和一半.不像坚持寂寞的感觉和发现自然的和平主意的科尔,莱斯利油漆他实际上见到的.在他的画中 , 没有在情绪方面的特别改变 ,而且他像背景的公路一样包括平常的事物.他也利用彩色摄影的最新发展帮助两者的眼睛和 hte 记忆当他在他的工作室中把他的画改善回来的时候.
此外 , 所有的艺术十亿年龄 - 旧的问题 : 什么是真正的 ?每世代艺术家已经以一形式显示他们的真实理解或另外的.印象主义者见到简短的情绪效果的真实 , 每天的主题和森林现场 , 和 Gro 的现实主义者 - 磁量子洞远古的森林他们的动物自然图画的人.总结 ,了解真实是所有期数的艺术家的 neccessary 竞争.
在数千年以来艺术的功能已经保持相对地持续.过去或礼物,西方人的东方人 ,艺术是我们的立即经验的一个基本部份.许多和不同的是艺术的面貌 , 而且一起他们表达基本的需要和人类的希望
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